Pigment Gallery

Pigment Gallery was launched in Barcelona in January 2016 with the aim of adapting interactively to the changing global society in order to ensure contemporary art reaches anyone with curiosity or sensitivity towards art.

Pigment Gallery deals in the promoting and publicising of contemporary art, within new artists from both home and abroad, and to present their works both nationally and internationally, especially at the main contemporary art fairs held around the world. The gallery supports a take on reality and current trends that fees from modes and cliches, in search for new voices that provide a fresh breeze to the art world. Discovering, sharing, investing and generating discussion spaces rather than merely exhibiting.

Represented artists:

Rosa Galindo, Juan Escudero, Idylla, Silvia Martinez Palou, Bego Terradas, Jonathan Tignor, Haidé Costa, Camil Giralt, Jorge Hernández, Kai Savelsberg, Xavi Déu, Alberto de Udaeta, Irene Ortiz, David Morago, Rosanna Casano, Marta Fàbregas, Julio Vaquero, Manu vb Tintoré, Gerard Fernández Rico, Patricio Reig, Anke Blaue, Aurelio San Pedro, Ana Monsó, Sito Mújica, Penélope Clot, Jordi Martoranno, Juan Miguel Quiñones, Diego Benéitez, Eduardo Pérez-Cabrero, Carla Tarruella, Francesca Poza, Dominica Sánchez, Diego Ferrari, Benjamin Gaumard, Víctor Silva, Mario Pasqualotto, Pablo Arrázola

Lorenzo Fernández and Ignacio Iñigo establish a direct dialogue between two works of identical proportions: a three-dimensional piece and its translation into the pictorial plane. Taking as a starting point a structure built by Iñigo from acrylic paint extracted from its support and folded on itself, Fernández develops a hyperrealistic interpretation that attends to the material and formal qualities of the object. 

More than a reproduction, the work activates a reflection on the displacements between presence and image, volume and illusion. Painting here assumes the ability to contain and reformulate that which belongs to the sculptural field, tensioning the boundaries between both languages. The result proposes an attentive look at matter, gesture and transformation processes, inviting the viewer to move between the physical experience of the object and its pictorial representation.