Pigment Gallery

Pigment Gallery was launched in Barcelona in January 2016 with the aim of adapting interactively to the changing global society in order to ensure contemporary art reaches anyone with curiosity or sensitivity towards art.

Pigment Gallery deals in the promoting and publicising of contemporary art, within new artists from both home and abroad, and to present their works both nationally and internationally, especially at the main contemporary art fairs held around the world. The gallery supports a take on reality and current trends that fees from modes and cliches, in search for new voices that provide a fresh breeze to the art world. Discovering, sharing, investing and generating discussion spaces rather than merely exhibiting.

Represented artists:

Rosa Galindo, Juan Escudero, Idylla, Silvia Martinez Palou, Bego Terradas, Jonathan Tignor, Haidé Costa, Camil Giralt, Jorge Hernández, Kai Savelsberg, Xavi Déu, Alberto de Udaeta, Irene Ortiz, David Morago, Rosanna Casano, Marta Fàbregas, Julio Vaquero, Manu vb Tintoré, Gerard Fernández Rico, Patricio Reig, Anke Blaue, Aurelio San Pedro, Ana Monsó, Sito Mújica, Penélope Clot, Jordi Martoranno, Juan Miguel Quiñones, Diego Benéitez, Eduardo Pérez-Cabrero, Carla Tarruella, Francesca Poza, Dominica Sánchez, Diego Ferrari, Benjamin Gaumard, Víctor Silva, Mario Pasqualotto, Pablo Arrázola

The Time Left brings together a selection of works created by Ignacio Iñigo over the last three years in Barcelona. In these works, painting moves beyond its condition as an image to become a field of inquiry into matter, time, and processes of transformation. Layers that accumulate, age, fracture, or fold back upon themselves establish connections with natural phenomena such as erosion, gravity, and sedimentation, revealing a practice attuned to the slow rhythms of observation and experimentation.

In dialogue with this body of work, Lorenzo Fernández presents a painting that takes as its starting point a three-dimensional structure created by Iñigo from acrylic paint. His hyperrealist reinterpretation incorporates a composition of figures characteristic of his own visual language, generating a work in which both artistic vocabularies converge. The result offers a reflection on time and on the boundaries between painting and sculpture, object and image, representation and presence.