Escat Gallery

Escat Gallery is a contemporary art gallery founded by Pau Escat, which develops a solid curatorial program rooted in contemporary artistic practices, with a critical view of the present. The gallery promotes projects that explore materiality, the creative process, and conceptual depth, establishing a coherent dialogue sustained over time. At Escat Gallery, they represent a carefully selected group of artists whose work stands out for its rigor and a distinctive voice, capable of addressing the current context from diverse perspectives. 

Each exhibition is conceived as an experience that goes beyond aesthetic contemplation. The proposals invite reflection, the exchange of ideas, and an active connection with the artwork, fostering an open and transformative relationship between the artist, the space, and the public. Escat Gallery is a place of meeting, research, and experimentation, where art is presented as a living space of thought, sensitivity, and continuous dialogue. 

Represented artists:

Vivian Alarcón, Tete Alurralde, Danny Avidan, Mirko Baricchi, Carsten Beck, Beñat Olaberria, Aleksandar Bezinovic, Ethan Caflisch, Salvita De Corte, Silvia De Marchi, Ádám Dóra, Mark Ebert, ELIURPI, Lola Erhart, Pau Escat, Alba Fabré, Flora Castiglia, Jonathan Freemantle, Federica Furbelli, Alicia Gimeno, Christina Gschwantner, Suna Imre, Irinka Talakhadze, Tycjan Knut, Viktor Kobylianski, Carolin Kreutzer, Emma Labattaglia, Celia Lees, Rose Madone, Julia Martins Miranda, Gabriela Meunié, Blanca Nieto, On Hansen, Martin Paaskesen, Giorgio Petracci, Amela Rasi, Mareo Rodríguez, Diana Ruban, Joan Saló, Iris Sanmartín Dalmau, Joana Santamans, Colt Seager, Jeff Servos, Eric Stefanski, Anna Veriki, Ed Warner

Las nubes no tienen casa is a project by Federica Furbelli (Varese, 1988), in which she investigates and explores the vital landscape through ritual as a contemporary practice of (dis)rooting and reconnection. 

Together with curator Jordi Pallarès, the project is structured through a site-specific intervention for the Trafalgar Street space of Escat Gallery. It includes paintings, drawings, sculptures, and other objects, conceiving the exhibition space as a traversable and experiential environment. The works—both large and small in scale—develop landscapes linked to processes of memory and displacement. These are symbolic objects and containers, inhabitable and projected from desire, through which Furbelli proposes her own way of situating herself in space. The processes unfold in extended temporalities, following horizontal and vertical movements in which gesture is transferred to the viewer’s gaze and body.